Year of composition
The idea of writing this pocket symphony comes from my wish to compose relatively short pieces in condensed movements. Obviously, the notion of symphony here is pretty loose, but I consciously use this term as my work certainly has a symphonic spirit, not in a Mahlerian sense, but more in an early classic way. Instead of long developments and transcendental atmospheres, this music flows playfully, nurturing itself from an eclecticism that mixes styles that are so far apart (in time, not in essence) as XVIII century classicism and modern minimalism. Marc Migó
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