Year of composition
The piece is set in a scenario of chamber electronics. The fixed media, although it is proposed as another performer, acts with a dual role: on the one hand, it makes its own sound discourse, detached from acoustic resources, and on the other hand, it plays with the instruments, modifying their behaviors, either live or in past or future temporal planes. Synchrony between instruments and electronic events is the key feature on which the architecture of the work is supported.
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