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17 haiku is presented as a work in wich the timbre of the flute and electronics have to go hand in hand, each one having its identity, but at the same time being complemented as two equal protagonists, wich operate or interact, encourage or prevail, associate or disassociate in equal conditions. As neat and clear as possible complicity and freshness of the timbres must be achieved, both in the performance and in the acoustics of the stage for electronic diffusion.
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