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To set about writing a composition for a solo instrument involves, in my case, thinking about a piece where this individuality can be emphasized and developed. The improvised cadences of the concerti for solo instruments of the so-called classical period are examples of this will to feature such individuality. Nowadays, improvisation is somewhat separated from performance, and this is why there is a need to reinforce this individuality without forcing performers to resort to an improvisation technique they are not used to. This is not a handicap, but rather a simple consequence of the present time, which leads us to
(Sergi Casanellles)
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