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An early work. Fascinated by the repertoire generated by so many French composers, raftsmen of the virtuoso and outstanding flute school, and captivated by the warmth and the colours of its impressionistic cadence, Josep Padró, in an advanced phase of the learning of this instrument, feels the need to externalize through it, the uneasiness that moves him internally. He freely unfolds, without aesthetic speculations, a melody of fantasy which, according to the author, is like a declaration of love, both tender and tormenting, to an imaginary woman whom he will never meet.
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