Year of composition
The author makes use of the warm sound of the flute, as if it were a paintbrush outlining, with voluptuous strokes, the seductive contours of a feminine body. While sketching, he cannot avoid feeling progressively trapped by an unreal dream, in which the sketched silhouette becomes alive and frees itself, sensual and generous, to his pleasure. On an erotic patina between play and passion, suffering and loving peacefulness, the sketch develops in a sinuous and secret setting where reality and fantasy merge.
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